In Metalocus, text by Sara Gent, House 720 by Fernanda Canales is described as an architectural device that connects landscape, movement, and domestic life through a continuous circular geometry. The publication emphasizes how the project organizes courtyards, terraces, and immersive pathways to intensify the experience of the natural surroundings of Valle de Bravo, integrating passive strategies and open spaces that strengthen the relationship between climate, light, and everyday life.